<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[My Site]]></title><description><![CDATA[My Site]]></description><link>https://ylilebstudios.wixsite.com/ylilebugstudios/blog</link><generator>RSS for Node</generator><lastBuildDate>Sun, 28 Jun 2026 11:22:56 GMT</lastBuildDate><atom:link href="https://ylilebstudios.wixsite.com/ylilebugstudios/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Five Fingers for Marseilles (2017): The African Western]]></title><description><![CDATA[Five Fingers for Marseilles is a South African film that came out in 2017, directed by Michael Matthews as his debut feature film....]]></description><link>https://ylilebstudios.wixsite.com/ylilebugstudios/post/five-fingers-for-marseilles-2017-the-african-western</link><guid isPermaLink="false">6198824bc4f00e0016865f20</guid><pubDate>Tue, 30 Nov 2021 21:00:07 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/265aa8_08ba1345cf4f495182d13ac6679bc312~mv2.jpg/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Lillian Hennings</dc:creator></item><item><title><![CDATA[Bandersnatch (2018): The Consumerist Paradox]]></title><description><![CDATA[When reflecting on films, audiences will often find portions of a movie that they would have changed or done differently but lack the...]]></description><link>https://ylilebstudios.wixsite.com/ylilebugstudios/post/bandersnatch-2018-the-consumerist-paradox</link><guid isPermaLink="false">61987f47c797630016ec159d</guid><pubDate>Wed, 24 Nov 2021 18:00:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/265aa8_c8a2a435475241b4a3b12debce3425b7~mv2.jpg/v1/fit/w_1000,h_720,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Lillian Hennings</dc:creator></item><item><title><![CDATA[Vengeful Neocolonialism in Hyenas (1992)]]></title><description><![CDATA[When reflecting upon the conflicts that repetitively arise in Third World cinema, they are often inclusive of socio-economic development...]]></description><link>https://ylilebstudios.wixsite.com/ylilebugstudios/post/vengeful-neocolonialism-in-hyenas-1992</link><guid isPermaLink="false">61987cf37af85c0016e7e819</guid><category><![CDATA[Film Analysis]]></category><pubDate>Sat, 20 Nov 2021 04:49:01 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/265aa8_63619e3799ef49e9935a54beceb46388~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Lillian Hennings</dc:creator></item><item><title><![CDATA[Patriarchal-Fueled Feminism: Character Analysis of  9 to 5]]></title><description><![CDATA[When many spectators hear the infamous upbeat tune of Dolly Parton’s 9 to 5, they are fueled with fond memories of the...]]></description><link>https://ylilebstudios.wixsite.com/ylilebugstudios/post/patriarchal-fueled-feminism-character-analysis-of-9-to-5</link><guid isPermaLink="false">618ca36ea9d3330015b53bf2</guid><category><![CDATA[Film Analysis]]></category><pubDate>Thu, 11 Nov 2021 05:14:56 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/265aa8_0c3211a5952e4fac920df4b86435d1f5~mv2.jpg/v1/fit/w_1000,h_900,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Lillian Hennings</dc:creator></item></channel></rss>